Guest Post With The Damsels!

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Got a horror project you want to spread the word about? Is it a new film? New book? Or something completely glorious that will drive horror nerds nuts? Let us know! We are open to guest post articles, signal boosts, submission calls, and tips. We want to hear from you. The indie horror community is important to us, Damsels, and without cooperation and support from you our little blog can’t work. Thank you all for continuing to follow us! 🙂

If you’d like to submit an article (be it a review, self-promo, or interview, or whatever!) don’t hesitate to email us at:

damselswithchainsaws@gmail.com OR vicycross@gmail.com

OR send us a request via tweet at @DWCHorror or down below in the comments.

Make sure your guest post relates to the horror genre and is edited and is under 500 words. If we like it we’ll post it. It’s that easy. This is a “for the love” and “honor system” we have going here, guys, okay? So please, no spam or icky stuff.

Cool? Yeah? Good.

The Damsels look forward to hearing from you!

~Damsel Cannibal & Damsel Bruja

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Submissions OPEN for Fantasy Magazine!

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Are you a queer writer? This submission call is specifically for YOU! Submissions open through May for “Queers Destroy Fantasy!” at Lightspeed’s imprint, Fantasy Magazine. They’re paying 8 cents per word and are expecting fantasy submissions between 1500-7500 words. Christopher Barzak is guest editing. So…get crackin! And good luck!

Taken from their submission guidelines:

    • Who can submit stories for consideration for the special issue? Anyone who identifies as queer.
    • How do you define queer? Gay, lesbian, bisexual, demisexual, asexual, pansexual, intersex, transgender, genderfluid, genderqueer–if you fit within the QUILTBAG, we want you. Identity is what matters for this issue. (Please note that the “A” in QUILTBAG is for “ace/on the asexual spectrum,” not “ally.” We hope allies will support this special issue, but if you are not yourself queer, please do not submit.)
    • I’m queer. What can I submit? Original fantasy short stories, 1500 – 7500 words.
    • How much are you paying for stories? 8 cents per word for original fiction.
    • How queer does my story need to be? We very much want to see diverse queer representation and queer themes, but we are focused on the identity of the authors and the quality of the story, not the “this much queer content per story” meter.
    • When can I expect a response to my submission? We will endeavor to reply as quickly as possible to submissions, but since assembling the special issue is similar to assembling an anthology, stories being seriously considered may be held until July 1, 2015 to allow our editors to consider everything before making final decisions.
    • How many stories and how often may I submit? Our usual policy of allowing authors to only submit a story once every 7 days is lifted for this issue; so while you may only submit one at a time, you can send in something else as soon as we pass on the first one.
    • What about reprints? Reprints for this issue are by solicitation only.
    • Can I submit a rejected story to LIGHTSPEED (or NIGHTMARE) in the future? All stories submitted to Queers Destroy Fantasy! will also simultaneously be considered for regular issues of LIGHTSPEED (or NIGHTMARE). So if you receive a rejection for Queers Destroy Fantasy!, you can consider that story having been rejected by LIGHTSPEED/NIGHTMARE in general. If we end up with so many good stories we can’t fit them all in the special issue, we’ll take such “overflow” for regular issues of the magazines.
    • Can I submit a story previously rejected by LIGHTSPEED or NIGHTMARE to QDF? Yes. Since it’s a different editorial team, it makes sense to allow them to consider such submissions. So if you have a story previously rejected by LIGHTSPEED/NIGHTMARE, feel free to resubmit it.
    • What kind of fantasy? All types of fantasy–high fantasy, contemporary urban tales, surrealism, magical realism, science fantasy, folktales…and anything and everything in between.
    • Is there anything you’re explicitly NOT looking for? Other than the fact that (a) the story needs to be by a queer author and (b) it has to be fantasy, please abide by the regular LIGHTSPEED/FANTASY guidelines. The only two things that our guidelines for this or any issue of LIGHTSPEED/FANTASY explicitly forbid are (a) erotica and (b) media-based fiction and/or fan fiction. Anything else is fair game.

 

Shit sandwiches, the Hugo Awards, and PuppyGate

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I must live in an alternate reality where white straight male writers never win the majority of literary awards, and white straight male narratives are appallingly underrepresented in science fiction, fantasy, horror, and speculative fiction. I mean, whenever I walk into a bookstore or library I have to search for more than an hour just to find one book (JUST ONE) about a white straight guy saving the world. I wish there was just one strong example in scifi/fantasy/horror where the main character was white. And if I want to see white straight men on the silver screen, I can’t without attending those special artsy cinemas that show indie stuff with subtitles.

This must be the alternate reality I live in. A toxic subset of manbabies think white straight male writers have struggled for centuries from what they call, “literary affirmative action” and therefore can’t win Hugo Awards without sabotaging the election process and kicking all the icky gays, racial minorities, and women out. I mean, it’s only fair, right? Because what science fiction, fantasy, horror, and speculative fiction needs more of is less diversity and we can thank the fine folks at Sad Puppies for making this our reality in fucking 2015.

Taken from Book Riot:

Along with the Nebula Awards, the Hugo Awards are considered to be one of the two major awards for science fiction and fantasy works. While the Science Fiction Writer’s Association nominates and votes on Nebula Awards, the qualifications for the Hugos are more lenient. One only has to buy a supporting membership to WorldCon in order to vote.

In recent years, the nominees and award winners for Hugos have begun to diversify. The world is changing, both in and out of publishing. As our world becomes more embracing of diversity, our reading and awards are reflecting that. More women and authors of color have been nominated and are winning. Unfortunately, not everyone sees this as a good thing.

Enter Sad Puppies, a small group of authors and fans that have decided the Hugo Awards were not accurately reflecting the tastes of science fiction and fantasy fandom. (You know, the people who were already voting on the awards.) So Sad Puppies, led by Brad Torgersen, created their own nominee list and encouraged people to vote for them. The list is significantly less diverse that it has been the last few years.

According to Torgersen, the Sad Puppies effort is to fight what he sees as an “insular” fandom of voters at Worldcon. Part of his defense of these choices, however, is more telling:

Along the way we fairly skewered the concept of literary affirmative action — that works and authors should be judged on the basis of author or character demographics and box-checking, not the audience’s enjoyment of the prose…

In a worst-case scenario (which is far too often fact in situations like these), this is coded, aggressive, anti-diversity talk. For the sake of argument, let’s take Torgersen at his word. If he’s speaking plainly, then he’s ignoring a big problem: the publishing industry (especially in science fiction and fantasy) is skewed heavily toward white, male writers.

Torgersen is right in one regard: awards should be handed to the best novels and their writers, regardless of race, ethnicity, or gender. No one thinks otherwise. But if we’re not reading diversely, the pool of books we nominate will not be diverse, either.

It’s a common straw-man argument against reading diversely: “I read what I like, regardless of the author’s race or gender.” We at Book Riot see this all the time. This argument would work if the publishing industry were fair. If the genders and races of published authors were equivalent to the actual demographics of the world, then sure, that argument holds water. But since the publishing industry isn’t fair, that argument falls apart.

Further Reading:

Elizabeth Bear

Chuck Wendig

io9

George R. R. Martin also weighed into this fight. His response is taking the limelight right now, so I thought I’d also include it HERE.

The general consensus among authors and readers is this: Sad Puppies’ hijacking of the Hugo Awards is a shit sandwich and spells future disaster for booklovers and writers alike. No, Damsels with Chainsaws is not a SJW blog, but we do want to see good stories. ALL good stories. Expanding fiction for everyone is not going to hurt the SF/F/H community. If anything, I think it’ll make our readership stronger.