The Red Road returns for its second season on Sundance channel Thursday, April 2nd 10/9C
This is a heart pounding, nonstop action kinda series and not just cuz Jason Momoa is in it (although that helps, too, ha, ::blush::) I didn’t know what to expect going into the first season and I’m so happy I sat down and actually watched it. Red Road combines everything I want to see more of on TV (not just Jason Momoa ::blush::) like Native American issues and more people of color with prominent roles (Hello! FINALLY!), slick, suspenseful writing, and real world characters who aren’t just canned stereotypes.
Red Road is gritty, engaging, and keeps you guessing all the way through. My only complaint is that I wish it was longer! The first season was only 6 episodes, so you guys can catch up without much difficulty before season two’s premiere.
In a nutshell, the series is about a Native American criminal and the dangerous game he plays with a white cop who covers the accident of his schizophrenic wife and the Native boy she ran over with her car. It’s a cat-and-mouse murder mystery set on an Indian reservation where the “good” cop has to outsmart the “bad” guy. However what’s good becomes bad, and what seems bad in the beginning, is slowly revealed to be good. You’ve seen it before but not like this, I promise. The predominately Native American cast is a refreshing change of pace. If you like psychological cop stories with a lot of twists and turns, then Red Road is for you.
I’ll be tuning in tomorrow to watch season 2! Will you?
For those who don’t already know, H.R. Giger died last month after an unfortunate accident in his home. Giger created the character designs and landscapes in Ridley Scott’s blockbuster Alien movie franchise. His famous biomechanical art in Necronomicon, is said to be the inspiration behind the Alien films. This New York Times article explains all the details about his death HERE. However I don’t want to talk about H. R. Giger’s death. I want to take a moment to celebrate the amazing work and life of this artist.
H. R. Giger did so much more than just work on the Alien movies. In addition to being an artist, he was also a sculptor and furniture designer, whose works can be seen in his museum. Despite gaining success, Giger is still a misunderstood figure. The art community never gave him his due, demeaning his work by shelving it under “pornographic kitsch.” If all you can see when you look at H. R. Giger’s art are penises, I honestly don’t know what to tell you. Look at his writhing landscapes more closely. Observe how he weaves intricate detailing with phantasmal surrealism. Heavy, dark colors play up his muted highlights, which gives his work an almost metallic appearance. He combines metal with flesh with alien and yet familiar forms. The fact many of his creatures are in the act of foreplay or copulation only adds to the phantasmagoria.
How H.R. Giger’s Brilliant Madness Helped Make Alien So Erotic.
His imagery speaks to me on a deeper, psychological level. When I look at his work, I am reminded how frightening sex is. Sexuality can be predatory…gritty…even violent. Erotic horror isn’t new, and yet many are quick to write it off as “porn” just because there’s a breast or penis on the canvas. But what of the “alien” that lurks in all of us? What of the bizarre contortions we all make during lovemaking? Is “lovemaking” too cutesy a word when what we truly desire is more honest and dark? H. R. Giger pushed boundaries. He frightened us by flicking the light on and exposing our “nakedness.” He created one of the most popular and iconic monster in cinematic history! And for that, he has my utmost respect. May he rest in peace.