Classic British horror at its finest. I must say, I really enjoyed this movie! This cult-classic flick was directed by Viktor Ritelis and stars Michael Gough, Yvonne Mitchell, and Sharon Gurney. John Hotchkins provides a deliciously eerie score, and the music reminded me very much of the wailing theremin in Dark Shadows. Is the story supernatural or a crime-mystery? Not quite sure. But I won’t spoil the surprise ending by revealing too much, here.
First five minutes: Not much dialogue, moody camera closeups while patriarch, Walter Eastwood, incessantly washes his hands and stares at his blinking cat. All of this would have bored me to tears if not for the odd camera angles and the characters’ stifled movements. Right away the audience feels a sense of veiled oppression, which is fully-realized once Walter’s daughter, Jane, kisses a business associate and is savagely beaten with a switch. The camera immediately snaps back to Walter washing his hands again. His wife, Edith, listens to disembodied voices in the attic while Jane sobs from her wounds. There isn’t much dialogue and we’re still not sure what’s going on , but the absence of information only adds to the mounting suspense. We learn Walter is as meticulous as he is cruel. He coddles his son, Rupert, while terrorizing his wife and daughter with physical violence. He seems fixated on his daughter (and her sexuality) most of all.
When she receives a letter at breakfast the next morning, Walter snatches it away and tells his family he will go to the family cottage by himself. Once his back is turned, Edith casually suggests that she and Jane should kill him. Only she’s not joking. The mother-daughter kill-team show up at the cottage that night with poison and a loaded rifle.
I’m not going to write what happens next–but, oh, dear! Things for Walter go downhill from there!
It’s easy to see why Crucible of Horror is a cult-classic. The family is horrifying because audience can relate to them. And the twist ending…you will NOT see it coming! It is strange. Open-ended. And leaves unsettling questions in your mind long after the credits have finished. I didn’t expect to like the movie so much, but I will certainly add it to my collection. I recommend this movie for folks who like mysteries, family horror, British actors, and psychological surrealism. I’m giving this movie an A+ for creeping me out!